Anne McClane and the 1,000 Likes

A little over three years into this blog, and having written 168 posts, WordPress told me I’ve garnered 1,000 likes. I feel pretty good about that! Here’s why:

  • I don’t have a ton of followers on WordPress (less than 250). All those likes aren’t necessarily from followers, but if they were, it would mean followers have read and liked what I’ve written multiple times.
  • I only post once a week, on fairly random topics. I’m playing the long game here, and I’m thrilled to have reached this milestone at this early-ish stage of the game.
  • Links to these posts also appear on my Facebook page. But unlike Facebook, most of my WordPress likes are from people I don’t know personally. Same thing for the followers–most of those follows are from people I’ve encountered through the WordPress platform.

That last point underscores one of my favorite things about WordPress. I love having the freedom to write as much as I want about the topic at hand, in a user-friendly format. But more than that, I love following the posts of my favorite bloggers. There is such a wide range of voices I’ve been introduced to, just by being part of WordPress. Some of these folks feel like friends, even though we’ve never met.

Just like One Thousand and One Nights, the ancient collection of Middle Eastern stories that inspired the title of this post, the blogs I’ve found on WordPress are a treasure trove of different styles, themes, and fantastical ideas. I’m very grateful to be included in this vibrant community.

So long, and thanks for all the likes!!

 

The Writing Fall

Funny how life follows the seasons. Right now, it feels like the harvest for me. Several seeds, some sown years ago, are coming to fruition.

First: my novel, The Trouble on Highway One, is available for pre-sale on Amazon. Release date is October 30. This is the second story in the Traiteur Trilogy, featuring the protagonist Lacey Becnel as she struggles to understand and utilize her supernatural healing powers.

This is the seed that was planted a long time ago. I began writing it after the first story, The Incident Under the Overpass, was drafted, but not yet published. So it’s been a long road. (A long highway?) I had to mention it first, lest Husband Tim accuse me of “burying the lead.” (Which he does from time to time).

Second: I have an installment in OUTSIDE IN TAKES A STAB: 139 New Perspectives on 139 Buffy Stories by 139 Writers. This is an anthology on Buffy the Vampire Slayer, and my essay covers “The Dark Age” episode. My piece begins with the sentence, “I hate vampires.” I know certain members of my family will read that, and immediately follow it up with Anakin Skywalker’s whiny soliloquy on sand from Attack of the Clones. (A not-so-inside joke for anyone familiar with the “I hate sand” meme.) OUTSIDE IN TAKES A STAB is available for pre-order, currently scheduled to release November 2.

And finally: an excerpt from my short story, “Lucky Eight,” will appear in the upcoming Louisiana’s Emerging Writers publication. It’s set to publish October 23, and should be available for pre-order from Z Publishing within the next week or so.

Emerging, indeed! Feels pretty good, I have to admit. 🙂

Cover Reveal!

I’m very excited to reveal the cover of my second novel, The Trouble on Highway One! I’m working to make it available for pre-sale on Amazon, and I hope to accomplish this in the next few days. Once I do this, I’ll announce its release date (I’m aiming for October 30).

Here’s what I have for the blurb, so far:

Things are looking up for recent widow Lacey Becnel. A short-term job assignment on California’s beautiful Central Coast, and a new love interest fill her days after a tumultuous summer. But as she discovers more about the mysterious traiteur power bestowed upon her, she will learn that she is not the only one with potent, supernatural abilities.

I’ll have more details next week!

Writers Roundup

All the authors had the opportunity to participate in a book signing. Heather Graham signed her books in front of my banner for a spell!

An overdue shout-out and THANK YOU to Heather Graham’s Writers for New Orleans. I was excited to attend this writers conference, held in the French Quarter over Labor Day weekend. Here’s a bit more detail, from the “thank you” email sent to the participants:

“We’re a unique little group, which came into being because of the devastation created in NOLA when the levees broke after Katrina. . . We’re warm, we’re small, we’re intimate. And, my biggest hope each year, is that we manage one task for you–and that’s to send you home happy and inspired.”

In my case, they definitely succeeded!

I was happy to meet and spend time with so many writers; and share thoughts and ideas on researching, publishing, and balancing all the demands of life with writing time.

Just a few of the writers there:

Heather Graham—the best-selling author is a native of Florida, but has a long-standing love for New Orleans. Indeed, several of her more than 200(!) romance, suspense, and paranormal novels are set here. I am so very grateful to Heather for her generosity, her time, and her dedication to great stories!

David Morrell—“Rambo’s Daddy,” David Morrell hit the scene in 1972 with his debut novel, First Blood. He is the author of over thirty books, thrillers set in different times and locales. His latest series explores Victorian-era London. And he has such thoughtful advice on writing. Here is something I heard him say in a session (that I later looked up and pulled  from his website): “Before beginning each project, I write a letter to myself that asks the question: ‘Why is this book worth a year of my life?’ There needs to be something about a book’s theme, its research, and the way it is written that grabs me and won’t let go.”

And I was really thrilled to chat with my fellow, local, New Orleans writers; this was my first opportunity to meet most of them face-to-face. I’ve included links to their websites below:

Stella Barcelona – author of the Black Raven romantic thriller series

Colleen Mooney – author of the New Orleans Go Cup Chronicles

Liah Penn – mystery/suspense writer, and author of four novels, including the award-winning Pure Death

Alexandrea Weis – author of multiple paranormal, horror, and romance series, including the Magnus Blackwell series

My apologies to everyone I missed—I’m sure I’m leaving some folks out. I could fill pages and pages more about this event. But I have to stop somewhere.

So, to conclude, I’ll give an update on my own writing: the weekend of the conference, I juggled the sessions with running home and dedicating time to my second novel, The Trouble on Highway One. I was combing through some final edits, and hoped to be complete before the conference began, but, alas, it didn’t happen. I can now report that last Tuesday, September 4, I submitted a (hopefully, nearly,) final draft to my editor for one last review.

Happy and inspired, indeed!

Inexorability

August 18, 2018 6:13 am
August 20, 2018 6:13 am

I had the good fortune to spend this past weekend at the beach. I read, stuck my feet in the surf, explored a little bit, and otherwise contemplated some of the more lovely aspects of life on this Earth.

My first morning there, watching the sunrise, the word “inexorable” occurred to me. There was the eastern sky, growing brighter, gradually. I knew nothing was going to stop the march of lightness entering my particular part of the world. Or, if something did, it would mean bad news for more people than just me. (7.6 billion more people, really).

It seems the word is more often used to describe human actions or ideas. Dictionary.com offers this definition–unyielding; unalterable: inexorable truth; inexorable justice. Not to be persuaded, moved, or affected by prayers or entreaties: an inexorable creditor. Merriam-Webster offers a similar definition, with the example inexorable progress.

And, don’t get me wrong…I’m not praying for or entreating the sun not to rise. It’s definitely a positive, and the alternative, as I intimated above, would not be.

It has more to do with this: I’m feeling time’s inexorable march most acutely these days. And I’m not talking about my aging body, or middle age. Not first and foremost, at least. No, top of mind is my productivity, and my desire to get more done in a 24-hour-period than I seem to be able to.

I’m in the throes of final edits on my second novel, and also drafting my third novel, and neither is happening as fast as I would like. Granted, my deadlines are all self-imposed, but I imposed them for a reason. Without the threat of an inexorable deadline, I’m sure I’d find a way to drag this work out over countless more sunrises and sunsets.

Back to the inexorable sunrise: it rose through a curtain of rain on the second morning, so I opted to sleep in and stay dry. My final day, conditions were favorable for a leisurely repeat viewing. It just so happened that I snapped a photo with the same exact time stamp as forty-eight hours earlier: 6:13 am.

And it occurred to me that sometimes a little perspective is all that’s needed to lighten the crush of inexorability. Because the sun doesn’t truly rise and set. The Flaming Lips sang it best: “You realize the sun doesn’t go down / It’s just an illusion caused by the world spinning round.”

Hall of Mirrors

The view when I look left from my writing desk

I saw Skyscraper this past weekend, the latest movie starring Dwayne Johnson (a.k.a. The Rock). The movie ticked all the right boxes for me–wildly implausible but enjoyable. If there’s one thing I can say about the Rock, he sells the wildly implausible like no one else. He makes a bad movie better, and a good movie great.

Don’t think I’m spoiling anything by talking about the ending scene…it takes place in a hall of mirrors. A super-updated, high-tech hall of mirrors that viewers are introduced to in the first third of the movie. A not-so-subtle telegraphing of “you know the thrilling conclusion is going to take place here.”

Hall-of-mirrors fight scenes are pretty memorable, when done well. Watching Skyscraper’s version, I recalled the most recent one I’ve seen. It was in John Wick: Chapter 2, and it was Ruby Rose stealing the show there.

But given Skyscraper’s Hong Kong setting, and the visual element of the dragon used throughout the movie, I have to think that the mirrors were a nod to the ORIGINAL mirror fight scene in 1973’s Enter the Dragon.

It had been a while since I’d seen this seminal bit of cinema, and it’s been a pleasure watching it again and again on YouTube. If you’ve never seen Bruce Lee in action, don’t wait, and don’t finish reading this post. Skip straight to YouTube and check him out.

If the mirror scene in Enter the Dragon was an homage to some pre-cursor movie, I don’t know it. And given that it was Lee’s final film, it’s okay by me to let the movie claim “we did it first.”  Bruce Lee was another bright star that left too soon.

Personally, I encounter mirrors all the time, but I’ve never had a mirror fight scene. Don’t really want one. I’m not the most coordinated person around, and I don’t think I’d fare well in a fight. But I think there’s a way to take the elements of the scene and apply them to the skill I do possess–writing.

Bruce Lee’s character in Enter the Dragon (the character’s name is also Lee) hears the words of the Shaolin Abbott during the mirror scene:

“The enemy has only images and illusions behind which he hides his true motives. Destroy the image and you will break the enemy.”

While that quote definitely works for the scene, it’s kind of tough to extrapolate meaning to apply specifically to my writing. But digging a little further, here are Lee’s words that precede that quote:

A good fight should be like a small play, but played seriously. A good martial artist does not become tense, but ready. Not thinking, yet not dreaming. Ready for whatever may come. When the opponent expands, I contract. When he contracts, I expand. And when there is an opportunity, I do not hit. It hits all by itself.

Substitute story for fight and opponent, and writer for martial artist and I, and there are some seeds of wisdom I can get behind.

An Auditory Detour

I heard a woodpecker somewhere in those trees

The hawks were yelling at me. I don’t think I stumbled upon a quarrelsome moment amongst the raptors; I’m fairly certain they were aiming their shouts my way. And I’m pretty sure they were telling me to “Go away.”

It all began when I went out early one morning, just after sunrise. Just a jaunt around the neighborhood, to get a bit of exercise.

Headed north on Marconi Drive, I strayed to see if I could get a better look at Popp Fountain and the Arbor Room. I’ve seen Popp Fountain before, it’s one of those City Park staples that’s been around since 1937. But I’ve yet to see the Arbor Room from the inside, it’s one of the newest event venues in City Park.

As I approached an oak tree near the fence line, I heard a very distinctive cry coming from its branches. Not a chirping, not a raven’s “caw,” but similar in cadence. Higher-pitched and not as caustic as a raven, and it finished with a bit of a whistle.

Looking for the source, I spied a large bird with a white speckled breast, maybe twenty feet dead ahead and twenty feet above. A hawk! I scrambled for my phone, but the best I was able to capture is the picture at the end of this post. The hawk took its squawking to a higher, less visible branch of the oak tree right after I took that photo.

But it got me thinking–so much of what I love about meandering through City Park are the sounds.

So in the interest of “show, don’t tell,” here’s an attempt to “show in words” some sounds I noted on that same jaunt.

  • The haunting notes of a train horn, miles away
  • The staccato beats of a woodpecker across the lagoon
  • The caustic caws of a pair of ravens (yes, I realize I’m re-using that description)
  • The subversive trill of crickets below
  • The “ga-dunk” of cars passing overhead, as I traversed under the I-610 overpass (yes, this is a direct reference to my novel, The Incident Under the Overpass)

As I concluded my exercise loop, I returned to the hawk’s oak tree, to see if the bird of prey was still there, hoping to get a better photo, if so. And to conclude this post’s loop, I’ll go back to the beginning. Said hawk was still there…with reinforcements. And they were yelling at me. At least two birds aimed their plaintive cries my way. And by plaintive, I mean pretty wretched. My guess is they were protecting a nest, and didn’t want curious bi-peds (or predatory quadrupeds, for that matter) lollygagging around.

I got the message.

Natural camouflage, indeed

 

City Park Pictorial, Part 1: The Fishing Pier

On Memorial Day morning, I got up with the sunrise, with the intention of capturing some photos in City Park’s Couturie Forest. I visited there a few weeks ago (without a camera), and wrote about the experience here.

For the next several weeks, I intend to post more picture-heavy posts, rather than word-heavy posts. I’m going off the old adage of a picture being worth a thousand words. Because I really need to get cranking on the third and final story of the trilogy I’ve been working on. For what feels like forever. Certainly longer than I’ve had this blog.

So anyway, the intention with the pictures, is that maybe I will channel the writing energy into the novel, while still sharing glimpses of the things I find compelling about this strange and wondrous city.

As it turns out, the Couturie Forest pictures will have to come at another time. A pad-locked chain link fence kept me from entering Monday morning. I suspect it doesn’t open until after 7 a.m., and I was a bit early. So I trekked about another half mile north to the City Park Fishing Pier. It was a beautiful morning, and early enough so that it was still cool.

I checked the Couturie Forest gate on my way back from the fishing pier–no joy. (It was still a few minutes before seven o’clock.) I will try again next weekend.

I was not the only one out that early
I think that’s the Couturie Forest in the distance
Looking toward City Park’s North Course

Communicating Distances

Photo by Steve Halama on Unsplash

Later this afternoon, I’ll return home to New Orleans from Orlando. I’ve been here since Sunday, attending the Society for Technical Communication’s annual Summit.

I’ve traveled quite a bit in the last thirty days (Los Angeles, New York, plus a few local trips I’ll get to shortly). One remarkable thing is that only this last bit of travel, to Florida, has been for my day job. That’s certainly a departure from years past.

And in another departure, this travel hasn’t been for a trade show. Which leads me to something I’ve meant to mention in this space earlier, but I don’t think I have yet. I’ve moved out of the marketing department and onto a new challenge with the company who’s been good enough to employ me for the past eleven years. I’ve been learning the ropes of technical writing, which is a change that suits me just fine.

Communication has been the focus the past three days at this conference — the 65th version of this meet-up! It’s been eye-opening and very educational. Part of me regrets that it’s taken me so long in my career to turn in this direction; but there’s another part of me that feels like now is just the right time to get involved. There’s been so much change — just in the past few years or so — in how we communicate as a society.

I’ve been thinking of the term “the medium is the message.” When Canadian intellectual Marshall McLuhan coined that phrase back in 1964, was there any way he could have possibly envisioned the vast proliferation of mediums that exist today?

What it all seems to boil down to is this: I don’t need to craft a different message for every different form of media I use. I just need to be clear enough in what I want to say, and fluent enough in the nuances of the different media, to be able to “translate” the message into all its appropriate forms.

Therein lies the rub.

And this doesn’t seem clear at all, but I mentioned above some local trips I made recently. Far be it from me to leave that dangling. In the span of about 24 hours, I made round trips to the following southern Louisiana towns: Baton Rouge, LaPlace, and Ponchatoula. And when that was all done, I flew to Orlando.

In the interest of concise communication, I’ve edited out the reasons for those three local trips, and the incontrovertible timing each bore. If my life were a fiction, I’d try to work in some theme about how the main character (me!) likes to travel, and likes to write, and likes to think about communication. But when they all happen at once, some major conflagration happens, the m.c. overcomes the conflict, and everyone is significantly changed at the end of it all.

But thankfully, my life isn’t a fiction. So I’ll just conclude by saying that I’m very grateful for all the opportunities that have been laid before me these past thirty days, opportunities to do things I find fulfilling. But I’ll also be very glad to get home, stay in one spot, and enjoy the silence for a little while.

 

 

Just A Minor Malfunction

While the title of this post could refer to some daily happenings in my life, it doesn’t. It’s the title of a science fiction anthology, where my stories have had the privilege of appearing. The fourth issue is available now on Amazon: https://www.amazon.com/dp/B07CHCXPQQ

“The Holo-Spa,” a story I penned last year, is included in this issue. A few notable things about “The Holo-Spa”:

  • It takes place on the same space station featured in “Lucky Eight,” my short story that appeared in Just A Minor Malfunction Issue #2 (https://www.amazon.com/gp/product/B01NA9QRAY/ref=series_rw_dp_sw)
  • It’s the first piece of fiction I’ve written (in recent memory) in the first person
  • First “person” POV is kinda stretching it, because it’s written from the POV of a plasma-energy-type-of-being

I’d like to give a big shout-out to Michael Alter (on Twitter: @Michael_S_Alter ), the writer and editor behind Just A Minor Malfunction. This is my third time working with him, and it’s always a pleasure. His dedication and vision regarding this anthology are worthy of emulation, and his editorial feedback is always top-notch.

You know, every day of my writing life, giving up is always an option. An option that’s a little too close for comfort. It would be so easy to give in to the annoying internal voice that asks me why I’m pouring so much of myself into an effort that yields absolutely no immediate results. (That part of me always looking for the easy button). Working with other writers like Michael, and having my stories included in an anthology like JAMM, are a real power boost that help me play the long game.

After all, I never paid much attention to my “easy button” voice anyway, (even when I probably should have!)