So, I finished Great Expectations at the very end of 2019. And I’m overdue in offering my appraisal of this book. So here goes:
Great Expectations has earned a pretty high spot amongst the ranks of my favorites, especially within the “classics.” Most likely because of Pip. He is such an identifiable character — everything from his fear when he first encounters Abel Magwitch as a child, to his shame and repulsion when he encounters him as a young adult, to his desire to become a gentleman all for the love of the unattainable Estella.
I figure Dickens was in his late forties when he wrote it, and I’m glad I first read it as a middle-ager. If I had read it as a younger woman, I’m sure I would have still identified with Pip, but I imagine I might have been sorely disappointed (spoiler alert) that Pip doesn’t wind up with Estella. Reading it when I did gave me more opportunity to identify with the storyteller, and the choices he made.
Because, let me tell ya, Dickens is no slouch when it comes to writing. I remember when I was reading Count of Monte Cristo, it gave me a yen to see the south of France. I didn’t get the same feeling with Great Expectations — because I felt like I was there, in the marshes of Kent, and then later in London. Dickens depicted those settings in such a way that I’ll never be able to see in real life, because time and place were so intricately linked in his descriptions. Unless time travel becomes feasible in my lifetime, I’ll never be able to see the Kent and London of the mid-19th century.
I’ll finish this up by tying in my choice to use the Hard Rock hotel as the image for this post. I saw it close-up for the first time this past weekend. There’s the obvious connection of great expectations dashed (and by no means am I trivializing the lives lost in this horrible accident, God rest their souls). But seeing it for the first time in real life, it reminded me of a Dali painting, especially the melty clocks in “The Persistence of Memory.” And with Great Expectations so fresh in my memory, it wasn’t too far a stretch to think of the stopped clocks in Miss Havisham’s house, and the ruined and rotted wedding cake in her dining room. Young Pip summed it up best, as he described Miss Havisham’s house:
“What could I become with these surroundings? How could my character fail to be influenced by them? Is it to be wondered at if my thoughts were dazed, as my eyes were, when I came out into the natural light from the misty yellow rooms?”
That’s it for now.